16th Annual Line Breaks Hip Hop Theater Festival
An OMAI tradition
OMAI’s Line Breaks Hip Hop Theater Festival consists of performances, lectures and discussions by First Wave artist-scholars and invited professional artists engaging with the Madison community, on and off campus. Inaugurated through OMAI’s sponsored Interdisciplinary Arts Residency with Marc Bamuthi Joseph in the spring of 2007, the Line Breaks project culminated in a final performance of student work called “Just Bust!.” Now running for 15 years, “Just Bust!” has evolved into an open mic.
Hip Hop where it belongs
Line Breaks brings the top new aesthetics in contemporary hip hop and interdisciplinary performance art to the UW–Madison campus and the surrounding community. It has evolved into a space for the investigation of contemporary American culture through the lens of hip hop performance. Line Breaks is now one of the largest hip hop-centered performance festivals in the Midwest and continues to be a space for the cultivation and presentation of independent and collaborative work by First Wave artist-scholars. Here, unique responses to common human experiences are explored. The narratives, myths and legends, specific to these diverse communities, are unearthed, distilled and presented in an environment that encourages discussion and continued investigation.
2023 Schedule
Thursday, March 30
5:30–7:00 p.m.
Page & Stage: An Evening with Eve L. Ewing and Paul Tran
A Room of One’s Own (2717 Atwood Avenue)
UW–Madison’s Division of the Arts, the Office of Multicultural Arts Initiatives and A Room of One’s Own are thrilled to welcome Eve L. Ewing to Madison in conversation with poet and UW–Madison Assistant Professor of English and Asian American Studies Paul Tran.
Register here. This event is all ages, free and open to the public. Space is limited: register to guarantee a spot. Masks are required at this venue.
Friday, March 31
4:30–5:30 p.m.
Pre-Show Reception
Sunset Lounge, Memorial Union (800 Langdon Street)
Join the Office of Multicultural Arts Initiatives (OMAI) and the Division of the Arts in celebrating the opening of the 2023 Line Breaks Hip Hop Theater Festival! Doors for Line Breaks Hip Hop Theater Festival Showcase open at 5:30 p.m. Register here for the Friday evening Showcase.
6:00–8:00 p.m.
Line Breaks Hip Hop Theater Festival Showcase
Shannon Hall, Wisconsin Union Theater, Memorial Union (800 Langdon Street)
Join the Office of Multicultural Arts Initiatives (OMAI) and the Division of the Arts for the 2023 Line Breaks Hip Hop Theater Festival! This Friday night Showcase features performances by First Wave artist-scholars in the 15th Cohort; Diya Abbas (14th Cohort) and Azura Tyabji (13th Cohort); Jackson Neal (12th Cohort); and featured performances by guests of Interdisciplinary Artist-in-Residence Eve L. Ewing including Jamila Woods and Nate Marshall. The Showcase will conclude with a talkback with the featured performers and Eve L. Ewing, moderated by Amanda Torres.
Register here! This event is all ages, free and open to the public. Masks are encouraged.
Doors open at 5:30 p.m.
Saturday, April 1
6:00–8:00 p.m.
Line Breaks Hip Hop Theater Festival Showcase
Shannon Hall, Wisconsin Union Theater (800 Langdon Street)
Join the Office of Multicultural Arts Initiatives (OMAI) and the Division of the Arts for the 2023 Line Breaks Hip Hop Theater Festival! This Saturday night Showcase features performances by First Wave artist-scholars in the 15th Cohort; First Wave alumna, Shasparay Irvin; the First Wave Touring Ensemble; and headlining performance by Interdisciplinary Artist-in-Residence Eve L. Ewing. The Showcase will conclude with a talkback with select performers and OMAI Artistic Director Mark H.
Register here! This event is all ages, free and open to the public. Masks are encouraged.
8:00–9:30 p.m.
Post-Show Reception
Sunset Lounge, Memorial Union (800 Langdon Street)
Join the Division of the Arts and the Office of Multicultural Arts Initiatives (OMAI) to close out the 2023 Line Breaks Hip Hop Theater Festival!
Learn more and register here for the Saturday evening Showcase.
Line Breaks performances
First Wave 15th Cohort Ensemble
We Remember: An Anthological Performance Exploring Time and Memory
In this devised performance, the 15th Cohort of First Wave explores the transportation of time and memory using an anthology format. They will present collaborations of song, dance, poetry, visual illustration, and movement as they seek to understand deeper how memories can alter existence, how the way we navigate through time can change our experience, and what it means to remember something as a collective. Audiences are called to reflect on our personal history and the history of our community as we ask ourselves…who is in charge of remembering? Who is allowed to forget? And who is doing the labor? Travel down memory lane with the 15th Cohort of First Wave. Directed by Denzel Taylor.
First Wave Touring Ensemble
Keepin’ It Right
Selections from First Wave Touring Ensemble’s full-length multimedia work in progress, tentatively titled Keepin’ It Right. Directed by Mark H.
Azura Tyabji & Diya Abbas
The Dream of a Common Woman
Borrowed from the titles of two 1978 lesbian poetry collections, The Common Woman by Judy Grahn and The Dream of a Common Language by Adrienne Rich,The Dream of a Common Woman written by Azura Tyabji and Diya Abbas follows two women in a long-distance courtship who, when they fall asleep over the phone, wake up in a shared dream. Through honest testimony and heightened language they couldn’t share in real life, they come closer to vulnerability and understanding through the stories of women in their families, attempting to end their lineages of loneliness.
Jackson Neal
ALTARCATION I
ALTARCATION I is an encounter between dancer, writer, and choreographer Jackson Neal, and his own mother, Shaelyn Neal. For twelve minutes, Jackson and Shaelyn will run on opposite facing treadmills while engaging in a dialogue about love, care, effort, and memory. Jackson will sprint at the treadmill’s top speed for two consecutive minutes at the conclusion of the piece.
The primary question of ALTARCATION I is how much are you willing to work for love? Using physical and emotional effort, Shaelyn and Jackson will create an exercise of the heart, one which demands attention, commitment, and effort in order to be fulfilled.
In preparation for this piece, the Neals have participated in a series of in-depth interviews, which broaden their understanding of each other, and the nature of the roles of mother and son. The Neals have also participated in a serious training regimen to physically prepare their bodies for the task.
Cast: Jackson Neal, son of Shaelyn Neal; Shaelyn Neal, mother of Jackson Neal
Shasparay Irvin
Body Politics
Shasparay’s one-person show, Body Politics is a personal revelation of her experience as a fat woman in a fatphobic society. Shasparay takes the audience on her nuanced self-love journey through poetry, storytelling, and theatre performance. She navigates themes including shame, bullying, health, love, and fetishization. This tell-all newly developed with and directed by Mark H. is stratified with vulnerability, fun, and teachable moments. Mature themes. Viewer discretion is advised.
Directed by Mark H.
A native of Washington, DC, Mark H. is a director, performer, and educator with a primary focus on American theater and theater of the African diaspora.
Voice Actors: Steve Shell, Quanda Johnson, and Mark H.
Video Production: Kyla Pollard
Kyla Pollard is an artist and aspiring filmmaker from the South Side of Chicago whose art focuses on urban inequalities and the existence and necessity of Black Joy.
Sound Design: Dawry Ruiz
Dawry Ruiz is an interdisciplinary artist, First Wave Scholar, and is the recipient of a 2022 Truman Scholarship.
Interdisciplinary Artist-in-Residence Eve L. Ewing and Guest Artists
Performances by Interdisciplinary Artist-in-Residence Eve L. Ewing and guest artists will be featured in both Friday and Saturday night’s showcases, including Jamila Woods, accompanied by Justin Canavan, and Nate Marshall. The Friday Showcase will conclude with a talkback with the featured performers and Eve L. Ewing, moderated by Amanda Torres (AT). The Saturday Showcase will feature an interdisciplinary performance by Eve L. Ewing of selections from 1919.
The Chicago Race Riot of 1919, the most intense of the riots that comprised the “Red Summer” of violence across the nation’s cities, has shaped the last century but is unfamiliar or altogether unknown to many people today. In 1919, her second collection of poems, Eve L. Ewing explores the story of this event—which lasted eight days and resulted in thirty-eight deaths and almost five hundred injuries— through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, illuminating the thin line between the past and the present.
Presenting partners
The Office of Multicultural Arts Initiatives within the Division of Diversity, Equity, & Educational Achievement at the University of Wisconsin-Madison provides culturally relevant and transformative arts programming to promote positive social dialogue and to give cultural art forms an academic forum.
The Line Breaks Hip Hop Theater Festival seeks to bring together communities on and off campus, locally and nationally, to embrace the values and guiding principles of OMAI/First Wave. This year’s festival culminates an academic year-long partnership between OMAI and the Division of the Arts’ Interdisciplinary Arts Residency Program, presenting a series of short-term residencies with interdisciplinary artists who represent the three pillars of academics, arts and activism. The residency series has brought Jay Adana and Zeniba Now, Jasmine Mans, Porsha Olayiwola, and headlining performer Eve L. Ewing to UW–Madison. This gathering would not be possible without the generous support of our presenting partners: Division of the Arts; Wisconsin Union Theater; A Room of One’s Own Bookstore; Professor Mark H. of the Department of Theater and Drama; Professors Nate Marshall, Paul Tran, and Amy Quan Barry of the Department of Creative Writing.